Cultural Mobility Flows Report: Cities as Enablers of International Cultural Mobility

Title of the publication on a light background.

This publication grows out of the Cultural Mobility Webinar organised by On the Move in collaboration with HowlRound, which brought together practitioners, policymakers and advocates to explore how municipalities are developing travel grants, bilateral and multilateral exchange programmes, artist residencies and other initiatives that support the international mobility of artists and cultural professionals. The report takes stock of successful initiatives implemented through flagship frameworks such as the European Capitals of Culture programme.

The conversations that emerged confirmed what many in the field already sense – that city-led schemes are creating genuine opportunities to expand careers, build relationships across different regions of the world, and strengthen both artistic practice and long-term professional sustainability – yet they remain insufficiently recognised and under-promoted relative to the ambition and impact they represent.

This report is addressed to all cultural stakeholders with a view to providing concrete and actionable recommendations. These recommendations are grounded in the sources and practices analysed throughout and reinforce observations and proposals emerging from relevant policy documents addressing the needs and challenges of artists and cultural professionals across a wide range of contexts. They point towards policy changes, funding initiatives and collaborative frameworks that can enhance international opportunities for all cultural practitioners, with particular attention to those who face the greatest structural barriers to mobility.

Key figures

284

open calls related to cities published on On the Move.

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38.7%

of city-related open calls were funded by the European Union.

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58

city-related open calls were identified as being part of this UNESCO network, while 30 were identified as being for Capitals of Culture.

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‘Regarding the European Capital of Culture programme, I’d say it’s perhaps the largest EU mobility project. All projects must have a European dimension, meaning they involve cooperation between artists from different EU countries, whether through invitations or co-productions. It turns out that about 30% of the artistic programmes involve international artists, which means they involve cultural mobility. ’

Kelly Diapouli, Artistic Director, Larnaka 2030 European Capital of Culture

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‘Our recommendations are explicit: nothing meaningful or long-term can happen in cultural policy unless civil society is empowered, involved, and at the centre.’

Jordi Pascual, Coordinator, Committee on Culture, UCLG

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