The article ‘Highly mobile workers challenging Regulation 883/2004: Pushing borders or opening Pandora’s box?’ aims to highlight hurdles that EU citizens may encounter when exercising their social security rights while working across borders. With the focus on the worker who is highly mobile in the sense of performing various work activities in two or more Member States, the paper analyses how the current system of coordination copes with the increasing mobility in the European labour market.
Over the last 20 years, the power of cultural and creative industries (CCIs) as enablers and drivers of sustainable development has been broadly recognised. They are viewed as critical to social cohesion, social and economic transformation, and political stability. This publication explores and analyses what kind of CCI supporting strategies, programmes and projects are in place in Sub-Saharan Africa, how they are working and their practical impacts.
The European Commission has published its report “Artists Abroad: i-Portunus the EU’s First Mobility Scheme for Culture”. This project, I Portunus, proved to be a success both in terms of the number of applicants and the feedback from participants. This mobility scheme will be incorporated into the new Creative Europe programme (2021-2027) with increased funding.Taking into consideration the reality of the restrictions due to the coronavirus outbreak, a blended mobility experience may be appropriate and the exact modalities will be defined before the next call is launched.
Produced by Culture Solutions, the Composing Trust report is designed to monitor and analyse the cultural field at the European level. It aims to become a reference and resource on EU international cultural relations; to provide information for the new 2019 European Parliament and Commission; to sketch out a working agenda for culture solutions in the years to come; and to engage with all those caring for a common agenda on EU international cultural relations.
CINARS: Report on the Impacts of COVID-19 On Performing Arts International Mobility / Rapport sur les impacts de la COVID-19 sur la mobilité internationale des arts de la scène
Within the scope of Covid 19, CINARS took the initiative of launching an extensive worldwide study, using its contact network estimated at more than 30,000 professionals. Check the report including the ways considered out of the crisis. / Dans le contexte du Covid 19, CINARS a pris les devants et a lancé une vaste étude à travers le monde auprès de ses réseaux de contacts estimé à plus de 30 000 professionnels. Découvrez le rapport en ligne inclus les manières potentielles de considérer la sortie de la crise.
Prepared between November 2019 and March 2020, Supporting Culture in the Digital Age explores how the digital age has changed the cultural value chain. It draws on existing literature and insights provided by national members of IFACCA – the International Federation of Arts Councils and Culture Agencies, as well as a range of actors from across the cultural ecosystem.
The UNESCO report Freedom & Creativity: Defending Art, Defending Diversity provides an overview of current advances and challenges in the legal protection of artistic freedom, the protection of the social and economic rights of artists and cultural professionals, and the monitoring of artistic freedom at the national, regional and international levels.
British Council > The Cultural Turn in International Development: Participatory Infrastructures and Value in the Arts
What is the place of culture in international development activity? What is the difference between soft power initiatives with a focus on cultural relations and those falling under international development? In an essay produced for the British Council’s Cultural Relations series, J.P. Singh argues that culture is at the root of cultural diplomacy, while international development works focus on the process, also known as a value chain.
The Situation of Circus in Europe presents a study on the circus sector in the European Union. The study is intended to be a legacy of the European Year of Cultural Heritage 2018 and follows up on the first inventory study on the sector commissioned by the European Parliament in 2003. The study focuses on collecting, creating and presenting quantitative and qualitative information to report on the current situation of the sector in the European Union. Based on descriptive analyses, an analysis is provided and recommendations have been developed related to the socio-economic profile of the sector, the educational situation of children whose parents work in the sector, its innovative potential, and the (potential) usage and improvements of EU-funding provisions for the sector.
The European Expert Network on Culture and Audiovisual (EENCA)’s study Gender Gaps in the Cultural and Creative Sectors provides background information and context on the specific challenges faced by women in the cultural and creative sectors. The aim of the study is to conduct a literature review and prepare a study identifying the situation of women artists and professionals in the cultural and creative sectors (CCSs), and to map the existing international recommendations aiming to achieve gender equality in these sectors.
UNESCO's Policy & Research series examines emerging trends in cultural policy and governance, and offers an in-depth analysis of key topics to reveal today's policy landscape. In doing so, it aims to inspire cultural policymakers and advocates to make innovative, evidence-based decisions that stimulate the growth of dynamic creative sectors around the world.
CEC ArtsLink > A Miracle or Misunderstanding: Socially Engaged Practices in the Art Prospect Network Countries
CEC ArtsLink presents a new publication, A Miracle or Misunderstanding: Socially Engaged Practices in the Art Prospect Network Countries, including field reports from Armenia, Azerbaijan, Belarus, Georgia, Kazakhstan, Kyrgyzstan, Moldova, Tajikistan, Ukraine, and Uzbekistan. This study grew out of CEC ArtsLink’s commitment to support international cultural mobility and new models to creatively address socio-political concerns, transforming urban environments, and engaging local communities. It serves to connect the broader international arts community to the post-Soviet region, engage funders, and advocate for the importance of transnational cultural exchange.
The challenges of cultural relations between the European Union and Latin America and the Caribbean / Retos de las relaciones culturales entre la Unión Europea y América Latina y el Caribe
The present book is one of the results of EULAC Focus research project, funded by the Horizon 2020 programme of the European Union, focused on the cultural, scientific and social dimension of relationships between the European Union and the Community of Latin American and Caribbean States (CELAC). El presente libro es uno de los resultados del proyecto de investigación EULAC Focus, financiado por el programa Horizonte 2020 de la Unión Europea, centrado en la dimensión cultural, científica y social de las relaciones entre la Unión Europea y la Comunidad de Estados de América Latina y el Caribe.
Many organisations and networks in Europe have started to publish mapping, researches and online information about refugees' integration through art and culture and refugees / migrants as artists. This page is about listing these initiatives. Feel free to email mobility(at)on-the-move.org for further inputs.
Dansehallerne > Innovative Leadership Network (ILN) > Article: 'The international Mobility of Artists / Mobility of ideas and Aesthetics'
The Innovative Leadership Network (ILN) is a Nordic cross-disciplinary platform working towards enabling artists to become leaders, developing innovative methods for artistic research activities, as well as developing new ideas in relation to rethinking institutions, increasing audience engagement, investigating new presentation formats, tackling political & societal issues or working on sustainable practices… in order to challenge status quo. Regular online publications are feeding the reflection and build cross-sectoral knowledge. Check the article on 'The international Mobility of Artists / Mobility of ideas and Aesthetics'.
i-Portunus is a project, selected and funded by the Creative Europe programme of the European Union, to trial a mobility scheme for artists and culture professionals. It is managed by a consortium headed by the Goethe-Institut with Institut français, Izolyatsia and Nida Art Colony of Vilnius Academy of Arts. The aim of the operational study, conducted by On the Move for the consortium, is to provide an analysis of the context and meaning of cultural mobility in Europe today, the needs in the sector and the strengths and weaknesses of existing cultural mobility schemes, as well as to define the most operational framework to implement first the pilot scheme and in the short/mid-term an EU mobility scheme for artists and culture professionals.
The project European Leadership in Cultural, Science and Innovation Diplomacy (EL-CSID) was conducted between February 2016 and February 2019, in the context of the H2020 programme on Europe as a Global Actor. This final report identifies the research undertaken, its research outcomes and policy recommendations.
While preparing On the Move's participation in a public panel related to touring world musicians and visa issues - as part of WOMEX 13 (Cardiff, Wales, United Kingdom) -, we realised that it would be relevant to have a specific page to gather different information portals/organisations which can be useful in the time of visa applications or to report problems and obstacles. Check this regularly updated list and contact us to share other relevant information!
'Brexit is not (only) a UK issue'. The International team of Arts Council of Wales, Wales Arts International, has published a briefing note for the arts sector as we all prepare for the implications of Brexit. Wales Arts International is a member of On the Move. Read and share this document.
A new study in the journal Science has revealed an overwhelming correlation: artists who show work in a prestigious gallery or institution early on in their career have a much greater chance of carving out a successful one. The network map also shows dense and isolated regional clustering in countries in Europe, Asia, South America and Australia which suggests that these communities share artists mainly within their geographical region. The paper concludes by suggesting tactics to level the playing field and mitigate the impact of an artist’s network.