This page introduces cultural mobility news and opportunities - with travel cost at least partially funded - at least three times a week. You can search the news by topic (funding, call, residency, training, meeting etc.) or world regions (destination).
The Prince Claus Fund’s Mobility Fund supports the cross-cultural exchange of artists and cultural practitioners. The Mobility Fund is now accepting applications for countries listed in the DAC List (please check it). This year, in addition to the regular support of the Mobility Fund, the Prince Claus Fund in cooperation with Asia-Europe Foundation (ASEF) is issuing a mobility call specifically for artists and cultural practitioners from the following Asian countries: - Bangladesh - Pakistan - Cambodia - Philippines - Lao DPR - Vietnam - Myanmar - China - India - Kazakhstan - Indonesia - Malaysia - Mongolia - Thailand, and particularly from women and minority groups.
Third Country Participation in the Baltic Sea region offers Swedish actors the opportunity to apply for project funding for the inclusion of actors from Russia or the countries of the EU Eastern Partnership in a current EU project or a flagship within the EU Strategy for the Baltic Sea Region. The main applicant has to be based in Sweden. The application must include at least two actors in two different countries eligible for support, one of which is Sweden (as main applicant). The funding is available for actors from Armenia, Azerbaijan, Belarus, Georgia, Moldova, Russian Federation, Sweden and Ukraine.Deadline: 28 May 2019 (opens from 1 April 2019).
The project European Leadership in Cultural, Science and Innovation Diplomacy (EL-CSID) was conducted between February 2016 and February 2019, in the context of the H2020 programme on Europe as a Global Actor. This final report identifies the research undertaken, its research outcomes and policy recommendations.
This handbook is a guide to getting to grips with what we call the ‘evidence agenda’ in arts and cultural learning. This tool is designed to make it easier not only to ‘do’ evidence and evaluation, but to love them, to become a champion for them and spread the good word throughout arts and cultural education.
Après le guide pratique d’auto-évaluation de l’impact social de projets artistiques, la Fondation Carasso partage l’aboutissement de trois années d’expérimentation : la Boussole de l’Art Citoyen, une solution d’évaluation d’impact social pour tout porteur de projet, construite à partir des expériences de leurs pairs.
DutchCulture gathered 40 international experts in Amsterdam to discuss values and practicalities of fair(er) international cultural cooperation.This closed meeting at Broedplaats Lely in Amsterdam followed the publication of the toolkit Beyond Curiosity and Desire: Towards Fairer International Collaborations in the Arts earlier in 2018, by IETM with On the Move and DutchCulture, focused on issues influencing expectations and engagement in international and intercultural activities. The report is online.
Many organisations and networks in Europe have started to publish mapping, researches and online information about refugees' integration through art and culture and refugees / migrants as artists. This page is about listing these initiatives. Feel free to email mobility(at)on-the-move.org for further inputs.
The Fondation FIMINCO is located at the heart of an 11,000 m² space that brings together cultural players from both the public and private sectors. It is distributed over several buildings gathering working spaces and studios for residents and a 1,200 m² exhibition space. The Fondation FIMINCO is launching its call for applications to transdisciplinary visual artists of any age from across the world for a residency in research, creation, and production based in Romainville (Seine Saint-Denis). Deadline: 31 May 2019.
The IFCD invests in projects that lead to structural change through: the introduction and/or elaboration of policies and strategies that have a direct effect on the creation, production, distribution of and access to a diversity of cultural expressions, including cultural goods, services and activities; the reinforcement of human and institutional capacities of public sector and civil society organizations, deemed necessary to support viable local and regional cultural industries and markets in developing countries. Deadline: 13 June 2019.
While preparing On the Move's participation in a public panel related to touring world musicians and visa issues - as part of WOMEX 13 (Cardiff, Wales, United Kingdom) -, we realised that it would be relevant to have a specific page to gather different information portals/organisations which can be useful in the time of visa applications or to report problems and obstacles. Check this regularly updated list and contact us to share other relevant information!
In just a few years, CircusNext has become a label that not only guarantees innovation and artistic excellence, but also conveys the values and vision of artistic work and the profession of circus artists and cultural operators in the sector of contemporary circus. This final evaluation report focuses on the 5-year program CircusNext 2013-2017. It includes the evaluation of: two support schemes in 2013-2014 and 2015-2016 and one European Season of Circus Arts in 2016-2017. The report is written by the associate researcher, Agathe Dumont.
The ITI yearbook 2018 is addressing the issue of the condition and perspectives of artistic cooperation. Festival curators, ensemble directors and networkers report from their experience with international work. Contributors are among others: Chang Nai Wen, Martine Dennewald, Annika Hampel, Günther Heeg, Marta Keil, Krystel Khoury, Jens Van Lathem, Kerstin Ortmeier, Iulia PopoviciZoë Svendsen and Anmol Vellani.
Construir el relato artístico para la movilidad es una guía práctica para profundizar en la creación de una narrativa de la actividad cultural o artística propia, de manera que sea completa, sintética, rigurosa y, a la vez, diferenciada. Un relato que sirva a las organizaciones de las artes en vivo presentar sus proyectos de una manera global, a audiencias desconocedoras de él, pero potenciales socios, clientes, colaboradores o financiadores.
In the January 2019 touring artists newsletter, focusing on “Status of the Artist and Contracts”, the team interviewed three experts on the question “self-employment, liberal profession or business?”: read the contributions by Sophie (DutchCulture*) and Martina (CzechMobility.Info / Arts and Theatre Institute*) – next to the one by TA colleague Sebastian (touring artists* helpdesk service) – on this tricky question.
'Brexit is not (only) a UK issue'. The International team of Arts Council of Wales, Wales Arts International, has published a briefing note for the arts sector as we all prepare for the implications of Brexit. Wales Arts International is a member of On the Move. Read and share this document.