In collaboration with On the Move and DutchCulture, IETM has published a new Toolkit for fairer international collaborations, written by Mike van Graan. The publication explores why and how artists and cultural professionals can adopt a more equitable approach to international and intercultural collaborations. La publication 'Au delà de la curiosité et du désir d’ailleurs : vers des engagements artistiques internationaux plus équitables' est également disponible en français.
The Ultimate Cookbook for Cultural Managers - Visas for Third Country National Artists Travelling to the Schengen Area is the fifth publication of the RISE project. The European Festivals Association (EFA) and Pearle*- Live Performance Europe have teamed up to improve knowledge on legal and managerial aspects on cross-border cooperation within the EFA RISE project, funded by the Creative Europe Programme from the European Union from 2014 until 2017, and renewed until 2021 as EFA RISE 2. In this hands-on guide, you will find everything you need to know about travelling in the Schengen area from a third country, and you will be able to navigate the complexity of these regulations.
Crossing Borders > A guide for musicians and ensembles travelling with musical instruments containing protected species
This guide, by PEARLE* and the International Federation of Musicians, is for musicians and ensembles travelling with musical instruments containing species protected under the Convention on International Trade in Endangered (CITES). Languages: EN, FR, ES and DE.
The World Economic Forum's Transformation Maps - a constantly refreshed repository of knowledge about global issues, from climate change to the future of work - are now publicly available for the first time and free of charge.There are various subjects covered (including art and culture, virtual and augmented reality as well as countries' focus).
ERASMUS+ : Beyond Disabilities European Mobility for all / Au delà du handicap: la mobilité européenne pour tous!
Beyond Disabilities European Mobility for all! A practical guide for organisations interested in European mobility activities involving young people with disabilities. Au delà du handicap: la mobilité européenne pour tous! Un guide pratique pour les organisations intéressées par des activités de mobilité européenne impliquant des jeunes en situation de handicap.
There is a wealth of resources available, both online and offline, to inform, advise and support artists and cultural professionals on how to pursue their careers without neglecting their role as individuals, parents, partners and citizens, and on how to reflect their (artistic) values. Harder to find, though, is one’s path among all those resources.For this reason IETM has joined forces with FIA and UNI MEI to enlist questions most frequently asked by professionals in the sector and gathered comprehensive replies in an accessible language, based on sound theoretical knowledge combined with practical experience of the field.
Zone Franche, le réseau des musiques du monde et le Comité Visas Artistes ont lancé le 2 décembre 2016 aux Trans Musicales de Rennes le Guide pratique des visas à l'attention des professionnels de la culture. Ce guide a été rédigé par Anaïs Lukacs, Coordinatrice de MobiCulture - membre d'On the Move - pour Zone Franche. / Zone Franche, the network of world music and the Comité Visas Artistes launched on 2 December 2016 during the Trans Musicales Festival in Rennes the practical guide to visas in France for cultural professionals. This guide, now available in English, has been written by Anais Luckas, Coordinator of MobiCulture, On the Move's member, for Zone Franche.
"Routes of Mobility and Internationalization" is a methodology for the diagnosis, analysis and planning of the processes of mobility and internationalization of the performing arts. It includes all the phases and processes that a company, organization or professionals of the performing arts and live music must complete to successfully start their opening to new circuits.
The manual 'Innovation Diversity - New approaches of cultural encounter in Europe' has been compiled in the context of the international project Un-Label. In addition, 10 further best practices are introduced who have made it their task to increase awareness of the great variety in our European society, to take difference as the norm and value it as a source of productive creativity.The last chapter provides information on current criteria for the dismantling of barriers as well as a checklist designed as an aid to your own practical planning and execution of future projects.
The study “Crowdfunding: reshaping the crowd’s engagement in culture” maps and analyses how crowdfunding is currently being used for the benefit of cultural and creative activities, and evaluates to what extent barriers hamper the further integration of crowdfunding in the financing mix and broader practice of CCS actors.
The Cultural and Creative Cities Monitor is a new tool to monitor and assess the performance of 'Cultural and Creative Cities' in Europe vis-à-vis their peers using both quantitative and qualitative data. The quantitative information is captured in 29 indicators relevant to nine dimensions reflecting three major facets of the cultural, social and economic vitality of cities: cultural vibrancy, creative economy and enabling environment.
China Now is an online resource for UK arts and creative professionals with an interest in China and Hong Kong. You can check it and find useful resources even if you are not from the UK.
Evaluation' - one of the key words in national, European and international cultural policies - is considered with mixed feelings by practitioners: as a burdensome and pointless process, as a meaningful tool for self-improvement, or as something in-between. This IETM toolkit aims to guide you through the key steps of evaluation, whether you have chosen to do it yourself or if a funder or decision-maker asks you to do so and provides you with pre-conceived tools.
The South African Festivals Economic Impact Calculator (SAFEIC) is a free online tool developed by the South African Cultural Observatory specifically for cultural festival and event organisers so they can track the economic impact of their events. The SAFEIC is designed to be used to estimate the economic impact of a festival on a host economy. It has been carefully, and conservatively, designed so as to produce results that are as reliable and valid as possible for a wide range of events – provided the data that is inputted is as accurate as possible.
The report is the key output of the working group of EU Member States on Intercultural Dialogue in the context of the migratory and refugee crisis, created in October 2015. The report looks at how arts and culture can bring people together and increase their participation in society. The report provides recommendations for cultural policymakers and for cultural organisations structured around three key themes: empowerment, intersectoral and evaluation.
A guideline for the evaluation of cultural projects, programmes, strategies, and institutions, Published by Migros Culture Percentage and Pro Helvetia Swiss Arts Council.
Guide pratique > Fondation Daniel & Nina Carasso > Auto-évaluer l'impact social de projets artistiques
Ce guide méthodologique a pour objectif d’aider les acteurs du champ culturel à identifier et à évaluer l’impact social généré par leurs projets. Il a été conçu dans une logique d’auto-évaluation: la démarche d’évaluation est définie et mise en œuvre par la structure elle-même. Ce guide a été élaboré à partir de la dé- marche expérimentale d’évaluation et de capitalisation de l’Appel à projets Art & Territoire menée par la Fondation Daniel et Nina Carasso avec 20 porteurs de projet et accompagnée par le cabinet Nuova Vista entre 2014 et 2016. Les 20 projets soutenus apportent une réponse concrète à la question évaluative : «Comment une démarche artistique exigeante peut-elle contribuer au vivre ensemble sur un territoire ?»
Cultural work is a central component of German foreign cultural and educational policy. It is based on an extended understanding of culture, which comprises not only the arts and high culture, but also popular culture, everyday culture and other areas besides. Culture is understood as a dynamic, dialogic process, which develops irrespective of location and in a multitude of ways. This approach implies to identify key premices and methods, to develop an impact model for evaluation and basic principles of the working approach and to think in terms of impacts' cycles.
ixia is England’s public art think tank. In 2004, ixia commissioned OPENspace, the research centre for inclusive access to outdoor environments based at the Edinburgh College of Art and Heriot-Watt University, to research ways of evaluating public art (see link below). Much of the content of this practical Guide has been informed by that academic research. However, the Guide’s emphasis and content has also been shaped by feedback from ixia’s Evaluation Seminars and fieldwork conducted by ixia and consultants who have used ixia’s ‘Evaluation Toolkit’. The present guide is the 2014 edition.
The 20th anniversary of RESEO, the European Network for Opera, Music and Dance Education, provided an ideal opportunity to take stock of the arts education sector and its developments. The network’s 2016 Autumn conference took place in Paris from 28-30 November, focusing on evaluation with the aim of analysing the achievements, breakthroughs and challenges encountered by the sector over the last twenty years. The Opéra national de Paris, a RESEO founding member, hosted the event and contributed largely to its organisation.