This page presents you the OTM monthly selection of publications. To discover all the documents of the Library, have a look at the subcategories in the navigation menu on the left and here just below.
Les artistes étrangers participent activement à la richesse de la diversité musicale française et au rayonnement d'une partie importante du secteur des musiques actuelles. Afin de mieux reconnaitre et valoriser la place de l'import d'artistes étrangers en France et aussi l'importance des artistes de toutes les origines dans l'export des productions françaises, le réseau des musiques du monde Zone Franche a mené une"enquête flash" auprès de ses adhérents en juin et juillet 2019. Découvrez le rapport ainsi que les chiffres clefs de cette enquête.
Many organisations and networks in Europe have started to publish mapping, researches and online information about refugees' integration through art and culture and refugees / migrants as artists. This page is about listing these initiatives. Feel free to email mobility(at)on-the-move.org for further inputs.
How to collect, analyze, interprete project evidence and data to design effective assessment tools that can contribute to create a virtuous circle of learning and #projectinnovation? You can now download the module developed by Arthur Bernstein from Campus ESART.
The recent conference titled “Mobility for Creativity” organised by Motovila in Ljubljana on 4–5 April 2019, explored the benefits and challenges of international mobility in the cultural and creative sector (CCS), especially putting mobility’s environmental impact to the test. Discover the report prepared by Jana Renée Wilcoxen.
Dansehallerne > Innovative Leadership Network (ILN) > Article: 'The international Mobility of Artists / Mobility of ideas and Aesthetics'
The Innovative Leadership Network (ILN) is a Nordic cross-disciplinary platform working towards enabling artists to become leaders, developing innovative methods for artistic research activities, as well as developing new ideas in relation to rethinking institutions, increasing audience engagement, investigating new presentation formats, tackling political & societal issues or working on sustainable practices… in order to challenge status quo. Regular online publications are feeding the reflection and build cross-sectoral knowledge. Check the article on 'The international Mobility of Artists / Mobility of ideas and Aesthetics'.
i-Portunus is a project, selected and funded by the Creative Europe programme of the European Union, to trial a mobility scheme for artists and culture professionals. It is managed by a consortium headed by the Goethe-Institut with Institut français, Izolyatsia and Nida Art Colony of Vilnius Academy of Arts. The aim of the operational study, conducted by On the Move for the consortium, is to provide an analysis of the context and meaning of cultural mobility in Europe today, the needs in the sector and the strengths and weaknesses of existing cultural mobility schemes, as well as to define the most operational framework to implement first the pilot scheme and in the short/mid-term an EU mobility scheme for artists and culture professionals.
The issue of exhibition remuneration has been an important topic for artists' associations throughout Europe for years. In November 2018, a symposium was organised on the subject by Internationale Gesellschaft der Bildenden Künste (IGBK), the IAA Europe, the German collecting society VG Bild-Kunst, and the association European Visual Artists (EVA). Documentation on the contents of the discussion and related information are available online.
The field of arts and culture is at the core of philanthropy, and is among the most important areas of funding for philanthropic organisations in Europe. This mapping, produced by the European Foundation Centre / EFC's Arts and Culture Thematic Network, sheds light on how activities carried out by the organisations engaged in this field are diverse in both themes and approaches, covering different sub-areas and with a clear interest in multidisciplinary arts and crosscutting areas and issues.
The project European Leadership in Cultural, Science and Innovation Diplomacy (EL-CSID) was conducted between February 2016 and February 2019, in the context of the H2020 programme on Europe as a Global Actor. This final report identifies the research undertaken, its research outcomes and policy recommendations.
This handbook is a guide to getting to grips with what we call the ‘evidence agenda’ in arts and cultural learning. This tool is designed to make it easier not only to ‘do’ evidence and evaluation, but to love them, to become a champion for them and spread the good word throughout arts and cultural education.
Après le guide pratique d’auto-évaluation de l’impact social de projets artistiques, la Fondation Carasso partage l’aboutissement de trois années d’expérimentation : la Boussole de l’Art Citoyen, une solution d’évaluation d’impact social pour tout porteur de projet, construite à partir des expériences de leurs pairs.
DutchCulture gathered 40 international experts in Amsterdam to discuss values and practicalities of fair(er) international cultural cooperation.This closed meeting at Broedplaats Lely in Amsterdam followed the publication of the toolkit Beyond Curiosity and Desire: Towards Fairer International Collaborations in the Arts earlier in 2018, by IETM with On the Move and DutchCulture, focused on issues influencing expectations and engagement in international and intercultural activities. The report is online.
While preparing On the Move's participation in a public panel related to touring world musicians and visa issues - as part of WOMEX 13 (Cardiff, Wales, United Kingdom) -, we realised that it would be relevant to have a specific page to gather different information portals/organisations which can be useful in the time of visa applications or to report problems and obstacles. Check this regularly updated list and contact us to share other relevant information!
In just a few years, CircusNext has become a label that not only guarantees innovation and artistic excellence, but also conveys the values and vision of artistic work and the profession of circus artists and cultural operators in the sector of contemporary circus. This final evaluation report focuses on the 5-year program CircusNext 2013-2017. It includes the evaluation of: two support schemes in 2013-2014 and 2015-2016 and one European Season of Circus Arts in 2016-2017. The report is written by the associate researcher, Agathe Dumont.
The ITI yearbook 2018 is addressing the issue of the condition and perspectives of artistic cooperation. Festival curators, ensemble directors and networkers report from their experience with international work. Contributors are among others: Chang Nai Wen, Martine Dennewald, Annika Hampel, Günther Heeg, Marta Keil, Krystel Khoury, Jens Van Lathem, Kerstin Ortmeier, Iulia PopoviciZoë Svendsen and Anmol Vellani.
Construir el relato artístico para la movilidad es una guía práctica para profundizar en la creación de una narrativa de la actividad cultural o artística propia, de manera que sea completa, sintética, rigurosa y, a la vez, diferenciada. Un relato que sirva a las organizaciones de las artes en vivo presentar sus proyectos de una manera global, a audiencias desconocedoras de él, pero potenciales socios, clientes, colaboradores o financiadores.
In the January 2019 touring artists newsletter, focusing on “Status of the Artist and Contracts”, the team interviewed three experts on the question “self-employment, liberal profession or business?”: read the contributions by Sophie (DutchCulture*) and Martina (CzechMobility.Info / Arts and Theatre Institute*) – next to the one by TA colleague Sebastian (touring artists* helpdesk service) – on this tricky question.
'Brexit is not (only) a UK issue'. The International team of Arts Council of Wales, Wales Arts International, has published a briefing note for the arts sector as we all prepare for the implications of Brexit. Wales Arts International is a member of On the Move. Read and share this document.
The aim of the Dance Passport is to be a source of support for professional dancers in the context of mobility. It is a union solidarity network for dancers abroad. This scheme allows dancers who are paid-up union members in their home country to access local union support and services while working for a short period in any European country where there is a participating union.
Under the ERASMUS+ project STAMP, Live DMA and the European Music Council created a Networking & Cooperation online course. Discover this online resource as well a series of webinars related to entrepreneurship and music.