Our Own News
OTM reports on the conference "The Contribution of Culture to the Implementation of the Europe 2020 Strategy"
OTM was represented by its President, Martina Marti, at the conference promoted by the Hungarian EU Presidency to discuss the role of culture in the success of the Europe 2020 Strategy, that took place in Budapest, 28 February - 1 March. Martina reports and questions "On What Kind Of Move?" does Europe need to grow in a sustainable way.
On the Move has endorsed and contributed to the common position of the mobility pilot projects on the new EU Culture programme. This joint paper was oficially presented to the European Commission at the Stakeholder Consultation Meeting that took place in Brussels on the 16th February.
On the Move is happy to announce a new Executive Board and team members in 2011!
IETM invited Guy Cools, independent producer, to write a document on the dos and don'ts of co-production and touring in Europe. (version française dans l'article)
This basic guide has been prepared by Judith Staines to help artists and arts professionals understand better the main issues that affect how and what they are paid when they work abroad in Europe. 2007
This short guide to global mobility is written by Judith Staines for artists and cultural operators. It is concerned with professional mobility, travel to and work in places beyond Europe. (version française dans l'article)
Rosa Videira has written a short guide to authors’ rights, collective administration of royalties and contracts for artists and performers.
The Asia-Europe Foundation (ASEF) and On-the-Move.org announce the publication of a new report Mapping Asia-Europe Cultural Cooperation. This study was carried out by Judith Staines and maps the Asia-Europe government-to-government bilateral cultural agreements between ASEM country partners.
Virtual mobility: a contribution to artistic innovations, participatory approach and new angle of policy making: an interview with Judith Staines
On-the-Move has launched last April "Excited Atoms" an exploration of virtual mobility in the contemporary performing arts. The author, Judith Staines, in an interview to Lidia Varbanova from the Labforculture.org describes the main challenges raised by the virtual mobility world to artists and policy makers.
In 2010, OTM has launched "Excited Atoms" an exploration of virtual mobility in the contemporary performing arts. The study looks at what virtual mobility means, and gives an overview of the different ways in which artists use new technologies – and thus being also more ‘green’. The Excited Atoms study was funded by OTM member Fundacion Autor, and presents some of the most critical issues and motivations for artists, cultural producers and promoters to collaborate, share, make, question, present and innovate using virtual mobility.
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This study was carried out during the European Year of Workers’ Mobility 2006 and is part of a wider project on mobility in the European Union’s live performance sector, called Mobile.Home, which was initiated by several European organisations active in the live performance sector in Europe (Finnish Theatre Information Centre, Pearle*, On-the-Move, IETM, Goethe-Institut, Visiting Arts & associated partners)
On-the-Move has updated its popular publications. These are available as free downloads. They will be translated into Spanish and published in 2009 thanks to our funding partner Fundacion Autor/SGAE in Spain.
IFACCA is delighted to release its research report on artists' international mobility programs. Researched and written by UK-based consultant, Judith Staines, with input from IETM, IFACCA and 25 respondents covering every continent, the 35-page report documents the many types of artists' mobility initiatives implemented around the world. (version française dans l'article)
Gracias a nuestro colaborador en España, El Centro Dramático de Aragón, el boletín será traducido al español cada mez y enviado días después al mailing general. Thanks to our partner in Spain, the Centro Dramático de Aragón, the Newsflash is now translated into Spanish each month and sent out a few days after the general mailing.